biographie de sarah
Merci pour votre patience avec la traduction.
Living in Paris, France, Sarah has a penchant for the renegade and loves technology, playing viola, seeing the world and bringing people and art together.
Sarah enjoys playing a wide variety of music in many genres and styles, and currently performs in Paris as a recitalist, chamber musician and with several professional orchestras including L'Orchestre-Atelier OstinatO, and
L’orchestre de la Cité internationale, as well as chamber orchestras Amaltea Orchestra and others.
She co-directs Classical Revolution Paris, an up-and-coming group for professional musicians and young audiences to meet, mingle and make music. She also co-directs the Infuse Ensemble, a new music composer exchange between Paris and New York City, geared towards providing French and American composers the opportunity to workshop new music and receive a world premiere and recording in a professional context.
As part of her organization Signal from the Noise, she will be debuting a new project with the working title of Composers/Authors/Photographers. Debuting 6, 7, 8th June 2013, this innovative series centers around the incorporation of visual and textual elements in live performances of new music. Music commissioned for the project is given to authors who are create the story of what they hear - then then transfers to photographers who will each interpret one of the aural/text stories visually. Over three nights, the music will be played live with its accompanying images and text to transform the traditional concert into a multi-dimensional experience. This is the first year of what she hopes to be many, in many different languages and cultures. To bring this project to your city please contact Sarah directly.
Originally from Seattle, Washington, Sarah has lived in New York City, Aspen, Colorado, and Cincinnati, Ohio. Her performance, recording, and festival credits include chamber and symphonic work with Les Enfoirés 2013 (Paris), Harpist Susan Alan in Romances Sans Paroles at CalArts (CA, USA), Classical Revolution (NYC and Paris), All Angels Gone with the COGE, jazz trombonist Marc Fields, collaborations with the Seattle Symphony and the Rolling Requiem, and others, in exciting locales such as Japan, Italy, and Great Britain. Sarah received her BM in Viola Performance from the University of Cincinnati College-Conservatory of Music, studying with Masao Kawasaki and Dr. Catherine Carroll. She has also studied viola with Helen Callus and both violin and viola with Irwin I. Eisenberg.
After university, she attended the University of Cincinnati College-Conservatory of Music and UC College of Business collaborative program for her graduate work in Arts Administration and Business. She has worked in fundraising for A.R.T./New York in NYC, as the Director of Development for Theatre Aspen in Aspen, CO and previously as the Individual Services and Annual Fund Manager for the Cincinnati Art Museum in Cincinnati, OH. She has also served in fundraising, press and marketing capacities for Enjoy the Arts, Seattle-based grantmaking organization PONCHO, C venues at the Edinburgh Festival Fringe, while producing multi-media and collaborative productions with concert:nova, Hunger Warrior Theatre and others.
Sarah enjoys playing, producing and recording with artists, ensembles, bands, and musicians of all genres.
Living in Paris, France, Sarah has a penchant for the renegade and loves technology, playing viola, seeing the world and bringing people and art together.
Sarah enjoys playing a wide variety of music in many genres and styles, and currently performs in Paris as a recitalist, chamber musician and with several professional orchestras including L'Orchestre-Atelier OstinatO, and
L’orchestre de la Cité internationale, as well as chamber orchestras Amaltea Orchestra and others.
She co-directs Classical Revolution Paris, an up-and-coming group for professional musicians and young audiences to meet, mingle and make music. She also co-directs the Infuse Ensemble, a new music composer exchange between Paris and New York City, geared towards providing French and American composers the opportunity to workshop new music and receive a world premiere and recording in a professional context.
As part of her organization Signal from the Noise, she will be debuting a new project with the working title of Composers/Authors/Photographers. Debuting 6, 7, 8th June 2013, this innovative series centers around the incorporation of visual and textual elements in live performances of new music. Music commissioned for the project is given to authors who are create the story of what they hear - then then transfers to photographers who will each interpret one of the aural/text stories visually. Over three nights, the music will be played live with its accompanying images and text to transform the traditional concert into a multi-dimensional experience. This is the first year of what she hopes to be many, in many different languages and cultures. To bring this project to your city please contact Sarah directly.
Originally from Seattle, Washington, Sarah has lived in New York City, Aspen, Colorado, and Cincinnati, Ohio. Her performance, recording, and festival credits include chamber and symphonic work with Les Enfoirés 2013 (Paris), Harpist Susan Alan in Romances Sans Paroles at CalArts (CA, USA), Classical Revolution (NYC and Paris), All Angels Gone with the COGE, jazz trombonist Marc Fields, collaborations with the Seattle Symphony and the Rolling Requiem, and others, in exciting locales such as Japan, Italy, and Great Britain. Sarah received her BM in Viola Performance from the University of Cincinnati College-Conservatory of Music, studying with Masao Kawasaki and Dr. Catherine Carroll. She has also studied viola with Helen Callus and both violin and viola with Irwin I. Eisenberg.
After university, she attended the University of Cincinnati College-Conservatory of Music and UC College of Business collaborative program for her graduate work in Arts Administration and Business. She has worked in fundraising for A.R.T./New York in NYC, as the Director of Development for Theatre Aspen in Aspen, CO and previously as the Individual Services and Annual Fund Manager for the Cincinnati Art Museum in Cincinnati, OH. She has also served in fundraising, press and marketing capacities for Enjoy the Arts, Seattle-based grantmaking organization PONCHO, C venues at the Edinburgh Festival Fringe, while producing multi-media and collaborative productions with concert:nova, Hunger Warrior Theatre and others.
Sarah enjoys playing, producing and recording with artists, ensembles, bands, and musicians of all genres.
curriculum vitae
FORMATION
University of Cincinnati College-Conservatory of Music, Master of Arts Administration and Business, 2006-2008, Degree Pending
University of Cincinnati College-Conservatory of Music, Bachelor of Music, 2002-2006
University of California Santa Barbara, Summer 2004
Marrowstone Music Festival, Seattle, Washington, 1996-2002
PROFESSEURS PRINCIPAUX
M. Marie-Christine Witterkoër, L'Orchestre de Paris
Mr. Masao Kawasaki, University of Cincinnati
Dr. Catherine Carroll, University of Cincinnati
Ms. Helen Callus, American Viola Society President, University of California Santa Barbara
Mr. Irwin I. Eisenberg, Philadelphia String Quartet Co-Founder and Violinist, Chamber Music Madness
EXPÉRIENCE PROFESSIONNELLE Je suis altiste - je joue en recital, du musique de chambre, pour les enregistrements et avec des orchestres divers.
Amaltea Orchestra, Paris, Primier solo
California Institute for the Arts : CalArts, Recitalist et Guest Lecturer
Classical Revolution Paris, Altiste et Co-Directrice
Les Soirées de L'orchestre avec Léonard Ganvert, Chamonix, Altiste
L'Orchestre-Atelier OstinatO, Paris, Altiste
L'Orchestre-Atelier OstinatO pour Les Enfoirés 2013, Paris, Primier solo
L’orchestre de la Cité Internationale , Paris, Altiste
Sumac Taki, Paris, Altiste
Signal from the Noise, Paris, Directrice
Et diverses collaborations avec des artistes français, américains et autres.
New York
Alliance of Resident Theatres / New York, New York, Development Associate
Classical Revolution New York, Altiste
Empire State Sinfonia, New York, Alto du rang
One World Symphony, New York, Alto du rang
Reona Ito Chamber Orchestra & Chorus, New York, Alto du rang
String Orchestra of Brooklyn, New York, Soliste et Alto du rang
String Orchestra of Brooklyn Chamber Ensemble, New York, Soliste et Primier solo
EXPÉRIENCE PRÉCÉDENTE ADMINISTRATIVE
C venues, Ltd., Londres et Edinburgh, Press and Marketing Assistant
Cincinnati Art Museum, Cincinnati, Individual Services and Annual Fund Manager
concert:nova, Cincinnati, Executive Director
Enjoy the Arts, Cincinnati, Business Development Manager
Niblack Creative Solutions, New York, Principal
Theatre Aspen, Aspen, Director of Development
EXPÉRIENCE PRÉCÉDENTE MUSICALE
AREday Green Energy Summit Quartet, Aspen, Altiste
Chamber Music Madness Festival Quartet, Seattle, Altiste
Cooper Street Quartet, Aspen, Altiste et directrice
Kentucky Symphony Orchestra, Newport, Alto du rang
Opera in the Ozarks Orchestra, Eureka Springs, Alto du rang
Opera in the Ozarks String Quartet, Eureka Springs, Violist and Manager
Opera Theatre Music Festival of Lucca Symphony and Opera Orchestras, Primier solo
Opera Theatre Music Festival of Lucca Opera Faculty and Premiere Quartets, Altiste
Springfield Symphony, Alto du rang
Seattle Youth Symphony Orchestras, Primier solo
University of Cincinnati College-Conservatory of Music Philharmonia Orchestra, Alto du rang
University of Cincinnati College-Conservatory of Music Concert Orchestra, Soliste et Primier solo
University of Cincinnati College-Conservatory of Music New Music Ensemble, Soliste et Primier solo
HONNEURS
Catherine Guthrie Memorial Competition, University of Cincinnati College-Conservatory of Music, 1ère place
Dorothy Anne Riddinger Scholarship, University of Cincinnati College-Conservatory of Music, 1ère place
Erik Kahlson Scholarship, University of Cincinnati College-Conservatory of Music, 1ère place
University of Cincinnati Cincinnatus Award, University of Cincinnati College-Conservatory of Music
University of Cincinnati College-Conservatory of Music, Master of Arts Administration and Business, 2006-2008, Degree Pending
University of Cincinnati College-Conservatory of Music, Bachelor of Music, 2002-2006
University of California Santa Barbara, Summer 2004
Marrowstone Music Festival, Seattle, Washington, 1996-2002
PROFESSEURS PRINCIPAUX
M. Marie-Christine Witterkoër, L'Orchestre de Paris
Mr. Masao Kawasaki, University of Cincinnati
Dr. Catherine Carroll, University of Cincinnati
Ms. Helen Callus, American Viola Society President, University of California Santa Barbara
Mr. Irwin I. Eisenberg, Philadelphia String Quartet Co-Founder and Violinist, Chamber Music Madness
EXPÉRIENCE PROFESSIONNELLE Je suis altiste - je joue en recital, du musique de chambre, pour les enregistrements et avec des orchestres divers.
Amaltea Orchestra, Paris, Primier solo
California Institute for the Arts : CalArts, Recitalist et Guest Lecturer
Classical Revolution Paris, Altiste et Co-Directrice
Les Soirées de L'orchestre avec Léonard Ganvert, Chamonix, Altiste
L'Orchestre-Atelier OstinatO, Paris, Altiste
L'Orchestre-Atelier OstinatO pour Les Enfoirés 2013, Paris, Primier solo
L’orchestre de la Cité Internationale , Paris, Altiste
Sumac Taki, Paris, Altiste
Signal from the Noise, Paris, Directrice
Et diverses collaborations avec des artistes français, américains et autres.
New York
Alliance of Resident Theatres / New York, New York, Development Associate
Classical Revolution New York, Altiste
Empire State Sinfonia, New York, Alto du rang
One World Symphony, New York, Alto du rang
Reona Ito Chamber Orchestra & Chorus, New York, Alto du rang
String Orchestra of Brooklyn, New York, Soliste et Alto du rang
String Orchestra of Brooklyn Chamber Ensemble, New York, Soliste et Primier solo
EXPÉRIENCE PRÉCÉDENTE ADMINISTRATIVE
C venues, Ltd., Londres et Edinburgh, Press and Marketing Assistant
Cincinnati Art Museum, Cincinnati, Individual Services and Annual Fund Manager
concert:nova, Cincinnati, Executive Director
Enjoy the Arts, Cincinnati, Business Development Manager
Niblack Creative Solutions, New York, Principal
Theatre Aspen, Aspen, Director of Development
EXPÉRIENCE PRÉCÉDENTE MUSICALE
AREday Green Energy Summit Quartet, Aspen, Altiste
Chamber Music Madness Festival Quartet, Seattle, Altiste
Cooper Street Quartet, Aspen, Altiste et directrice
Kentucky Symphony Orchestra, Newport, Alto du rang
Opera in the Ozarks Orchestra, Eureka Springs, Alto du rang
Opera in the Ozarks String Quartet, Eureka Springs, Violist and Manager
Opera Theatre Music Festival of Lucca Symphony and Opera Orchestras, Primier solo
Opera Theatre Music Festival of Lucca Opera Faculty and Premiere Quartets, Altiste
Springfield Symphony, Alto du rang
Seattle Youth Symphony Orchestras, Primier solo
University of Cincinnati College-Conservatory of Music Philharmonia Orchestra, Alto du rang
University of Cincinnati College-Conservatory of Music Concert Orchestra, Soliste et Primier solo
University of Cincinnati College-Conservatory of Music New Music Ensemble, Soliste et Primier solo
HONNEURS
Catherine Guthrie Memorial Competition, University of Cincinnati College-Conservatory of Music, 1ère place
Dorothy Anne Riddinger Scholarship, University of Cincinnati College-Conservatory of Music, 1ère place
Erik Kahlson Scholarship, University of Cincinnati College-Conservatory of Music, 1ère place
University of Cincinnati Cincinnatus Award, University of Cincinnati College-Conservatory of Music
